7/19/2011
Fort Wayne's first full-HD station debuts Aug. 1
7/06/2011
SBE-news - July 6, 2011
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6/09/2011
SBE EAS Alert
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6/08/2011
SBE to Certify Broadcast Networking Engineer - TV Technology
SBE to Certify Broadcast Networking Engineer TV Technology It's been almost 10 years since the Society of Broadcast Engineers (SBE) Certification Committee rolled out the Certified Broadcast Network Technologist level. It has become one of the most popular certification ... |
6/02/2011
Robovision All Over the Track on Memorial Day Weekend
Memorial Day weekend has never been much of a vacation for Robovision. It’s among the busiest of the year for the robotic-camera-system provider, which has delivered an arsenal of systems to the Indianapolis 500 since 1992 and to the NASCAR Sprint Cup Series Coca-Cola 600 in Charlotte, NC, since 2001.
“Lucky for us, we are busy doing a lot of racing during the summer, so we can handle that kind of [weekend],” says Richard Glandorf, director of field operations for Robovision. “We are certainly operating at near full capacity and using most of our equipment and [crew], but it is nothing we can’t handle.”
Robovision was on hand at Indianapolis Motor Speedway with 11 remote pan-bar robotic camera systems for ESPN and deployed 13 systems at Charlotte Motor Speedway for NASCAR and Fox Sports.
On the Track
Robovision’s remote pan-bar system allows a camera operator to remotely control the wall-mounted robotic camera via a traditional pan-bar system and monitor located in the OB compound. The company relies heavily on Ikegami cameras with Canon 40x lenses to capture race action up close without endangering camera operators. In addition, the system is capable of performing hard pans that would be far more difficult with a traditional hard camera.
“Auto racing and robotics go hand-in-hand, primarily because of the safety issue,” says Glandorf. “But the pan-bar system we use also lends itself to making that fast pan that is required when you’re positioned right on the wall. These systems allow you to adjust your settings to dial in the pan that is required. Our systems are able to make the hardest pans lap after lap, race after race.”
Robovision has become ubiquitous at NASCAR Sprint Cup event, having deployed 12-13 systems at nearly every race since 2001. Most of these POV cameras are mounted directly to the walls of the track, usually going into and coming out of turns, where accidents tend to occur. Various robotic cameras are positioned to cover the pits, flag stand, and straightaways.
Robovision at Indy
ESPN deployed 11 Robovision systems for its coverage at the 100th running of the Indy 500, a far cry from the four on hand in 1992 at the company’s first 500. This year, Robovision positions included two cameras in the pits and two in no-man’s land (the forbidden area between the pits and the track).
“Indy is a very big track, so you tend to get really spread out along the front stretch,” says Glandorf. “The two cameras in the no-man’s-land area are a challenge because it is an area that you don’t get access to during the race. But it also provides a great angle.”
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Indiana TV station defends cutting off Indy 500 finish
TV station defends Indy 500 cut in
SBE-news June 1, 2011
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5/31/2011
IBA - Hall of Fame Press Release - 2011 Inductees: Joe Angotti, Ken Beckley, Rick Cummings, John DeCamp, Bob McClain, Don Payne, Joe Piggott and Chuck Workman
THE INDIANA BROADCAST PIONEERS TO INDUCT EIGHT
INTO THE RICHARD M. FAIRBANKS HALL OF FAME IN 2011
The Indiana Broadcast Pioneers will induct Joe Angotti, Kenneth “Ken” Beckley, Richard “Rick” Cummings, Robert “Swoop” McClain, Joe Piggott and Chuck Workman into the Richard M. Fairbanks Fame at an awards banquet, October 6, 2011 at The Fountains in Carmel, Indiana. John DeCamp and William Donald “Don” Payne will be inducted posthumously.
The Hall of Fame honors members of the broadcasting industry who have made significant contributions to broadcasting’s growth and improvement. 140 people have been inducted since the Hall of Fame was founded in 1981. They have represented all areas of broadcasting: “on air” talent, engineers, technicians, sales people, owners and management. This year’s inductees include:
National Emmy award-winning veteran Joe Angotti was born and raised in Gary where he filled jelly donuts at his dad’s bakery before delivering them to the steel mills. While at IU, he was the first student news director of WFIU and earned the first graduate degree ever awarded at IU in radio and television. After stints at Louisville’s WHAS and Chicago’s WMAQ, he was promoted to New York where he was eventually named Senior Vice-President of the NBC News division and Executive Producer of NBC Nightly News. From 1993 - 1998, he taught broadcast journalism at the University of Miami School of Journalism. In 1999, he was named professor and chair of the broadcast program at the Medill School of Journalism. He is now a journalism professor at Monmouth University.
Lynnville, Indiana native Ken Beckley was a broadcaster for 14 years with stints at Terre Haute’s WTHI-TV, Asheville, North Carolina’s WLOS-TV and Indianapolis’ WRTV-TV. It was at WRTV in 1970 when he and Howard Caldwell were pioneers, as one of Indiana’s first dual-anchor teams. He became the station’s first executive news producer in 1976. From 1977 - 1983, he served as IUPUI’s first Director of University Relations. In 1983, he became Vice President of Advertising and Public Relations for H.H. Gregg. From 2002 - 2007, he was President and CEO of the Indiana University Alumni Association. He served as vice-president of the Indianapolis Press Club and president of the Indiana Broadcast Pioneers.
In 1981, Rick Cummings, from Cloverdale, became Emmis Broadcasting’s first program director at flagship station WENS-FM, 97.1. In 1984, he was named Emmis’ National Program Director, launching KPWR in Los Angeles, followed by WQHT in New York, and then the country’s first all-sports station, WFAN in New York. In 2002, he became President of the Radio Division of Emmis Communications, overseeing more than 20 radio stations. In 2008, he became President of Programming for Emmis’ domestic radio group.
John DeCamp began his journalism career as a paper boy for the Kendalville News Sun. While earning his electrical engineering degree at Purdue University, he served as a student announcer on the school’s public radio station, WBAA. For 43 years, DeCamp was the “Voice of Purdue,” doing play-by-play for Boilermaker basketball and football. For 22 years, DeCamp was part of the Indianapolis “500” Radio Network. In 1971, he was named “Top Broadcaster of the Year” by the Indiana Sportscasters and Sportswriters Association. In 1974, he was inducted into the Indiana Journalism Hall of Fame. DeCamp died on December 5, 2003.
Bob “Swoop” McClain was born and raised in Chicago where, as a kid, he watched his hero Harry Volkman on television. Volkman is known for being the first weatherman to issue a tornado warning. McClain is remembered for making swooping gestures while talking about weather fronts. McClain majored in meteorology and minored in Radio/TV at the University of Wisconsin in Madison where he did a weekly weather program on the campus TV station. Graduating in 1967, he became a weather officer in the Navy. His first TV weather job was at WKZO, Kalamazoo, Michigan. And in May, 1972, he became a TV meteorologist at WFMB-TV, Channel 6, staying until 2002.
At the University of Arkansas in Little Rock, Don Payne worked at radio stations KAAY and KLPO. While attending Purdue University’s School of Engineering, he worked at WZUS and WAZY in Lafayette. He was a trained engineer but also an on-air personality heard live on WZPL in Indianapolis and WAZY in Lafayette simultaneously. After working as Director of Engineering for WKRQ in Cincinnati, he returned to Indianapolis to be Chief Engineer for Radio One‘s one television and four radio stations. Payne died on December 12, 2010.
Born and raised on Indianapolis’ Eastside, Joe Piggott became his broadcasting career in Logansport in 1951. A four decade long career with stops in New Albany, Connersville, Columbus, Cincinnati and West Palm Beach, Florida. In Indianapolis, he was on the air at WXLW, WIBC and WFBM. In the early 60’s, he teamed with Glenn Webber of WFBM for the “Piggott-Webber Thing,” a top-rated morning program which was one of the city’s all-time best talk radio programs.
Chuck Workman grew up in Indianapolis’ Lockfield Gardens. As a teen, he went to legendary jazz clubs along Indiana Venue. In 1967, his dream of becoming a broadcaster was realized when he joined WTLC-FM (formerly WAIV) as music director. It was the inaugural year for the station and the first station to be fully-owned by African Americans. Two years later, he joined WTTV as the first African-American sports director in Indiana. He continued in that role until 1980 when he became Director of Public Affairs. The jazz enthusiast has hosted jazz programs at WIAN-FM, WFYI-FM and WTPI-FM. He has written a jazz column for NUVO for seventeen years. Black Expo recognized him in 2010 for contributions to jazz culture with the Lynn Dean Ford print award. He is a member of the Indiana Jazz Hall of Fame.
Sid Weedman and Julie Slaymaker are co-chairmen of the event.
5/24/2011
ESPN, ABC Look Forward and Back for Indy 500
via Sports Video Group by Jason Dachman, Associate Editor on 5/24/11
The Indianapolis 500 has always been celebrated for its innovation, dating back to Ray Harroun's use of the world's first known rearview mirror during his victory at the inaugural race in 1911. Now, 100 years later, ESPN and ABC will follow that tradition, deploying an arsenal of new and updated technologies during its live telecast from Indianapolis Motor Speedway on Sunday.
"Throughout the show, we're going to offer all the stories of this year's race but, at the same time, take our viewers through a history of the greatest spectacle in racing," says ESPN VP of Motorsports Rich Feinberg. "We will also have a combination of some new technologies that we're deploying and upgrades of state-of-the-art things we've done in the past."
The Latest and Greatest for Indy's Centennial
Feinberg and company will deploy a total of 64 cameras for the ESPN on ABC telecast two super-slo-mo systems, 15 robotic POV cameras (one at the start/finish line and 14 scattered throughout the track), and a variety of specialty camera systems. NEP's SS-21, ESPN's primary mobile unit for motorsports, is on hand to run the show.
Depending on last-minute team confirmations, ESPN expects to have 12 in-car HD camera systems available, each outfitted with a 360-degree rotating camera mounted behind the driver.
Providing high angles and aerial shots will be a HeliCam and aerial camera system that ESPN calls the Bat Cam, which features an HD camera running from the start/finish line down the front stretch and into turn one. The Bat Cam will provide coverage of pit road, fans in the crowd, and the action down the front stretch.
The Rev of the Engines in 5.1
Racing fans can expect to hear the sounds of the Indy 500 like never before. ESPN will produce the race in Dolby 5.1 Surround Sound for the first time.
"5.1 audio allows for a truly enhanced experience — whether it's the sounds of the engines, the crowd, the effects, the radios, and everything else mixed in," says Feinberg. "When you can take all that audio and split it up into multiple channels, it just makes those sounds that much more realistic."
Also attracting viewers' ears will be a new radio-replay system from TASCAM that allows ESPN to record, play back, and edit radio audio from any of the 33 drivers. Although ESPN has used the system for its NASCAR coverage in the past, this marks its debut at the Indy 500.
"On NASCAR, I call it the world's biggest TiVo," says Feinberg. "It's got extended recordable capabilities. You can separately record all 33 teams, and then you can go back in — just like on a TiVo — and, while you're continuing to record, you can pick out sections and edit them together to help tell the story."
New Look and the Return of RaceFX
In terms of graphics, ESPN will debut an insert look for motorsports, which will be deployed for all of ESPN's IndyCar coverage going forward. The network will add the new look to its NASCAR coverage beginning with the Brickyard 400 on July 25.
All 33 cars will once again carry Sportvision RaceFX boxes for the RaceFX data-driven graphics system. The boxes supply GPS in-race car-positioning data for the graphic pointers that help viewers identify each car. It also provides telemetry data that allows ESPN to feature graphics indicating a car's speed, RPMs, G-force, steering radius, breaking tendencies, and more.
"Unlike stock-car racing, we don't have these big numbers on the roof and on the doors; they are basically just on the nose cone and the rear wing," says Feinberg. "With the speed of these cars and the amount of side-by-side racing that you have in an open-wheel race, the pointer system is the key to identifying cars to viewers."
Catering to the Casual Fan
Much like the Triple Crown of horseracing, the Indy 500 draws a throng of casual motorsports fans, who may watch only one or two races a year. Feinberg is well aware of this fact and sees elements like RaceFX as a valuable way to bring these viewers back for more.
"We're very cognizant that, like other big events of this stature, a large portion of our audience are viewers that don't necessarily watch a lot of IndyCar races," he says. "We want to make sure that we are embracing those new viewers with our storytelling, graphics, camera work in hopes that they'll enjoy the race and become fans down the road. Our goal is to remain authentic in our presentation and offer insightful details to hardcore IndyCar fans, while also embracing new viewers."
Pre-race All About the History
The ESPN on ABC coverage will begin at 11 a.m. ET with The Indianapolis 500 — A Centennial Celebration, an hour-long prerace special hosted by Brent Musburger from a brand-new set that will be located right on the racetrack.
"Brent will be surrounded by current cars as well many of the old winning cars dating back to the Mormon Wasp in 1911," says Feinberg. "We think that that will give a great feeling of nostalgia throughout the pregame."
5/23/2011
EAS Update
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5/17/2011
Data Center News Digest from Lifeline Data Centers
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